Jasmin Reuter wurde 1981 in der Nähe von Würzburg geboren. Sie folgte früh ihren Leidenschaften Musik, Film und Fotografie und studierte von 2002-2007 an der Hochschule der Medien in Stuttgart ‚audiovisuelle Medien‘. Dort begann sie mit dem Komponieren von Filmmusik. 2008/2009 verbrachte sie dank eines Fulbright Stipendiums am renommierten Berklee College of Music in Boston, um das Studium der Filmmusik zu vertiefen. 2010 kehrte sie nach Deutschland an die Filmakademie Baden-Württemberg zurück und absolvierte dort bis Anfang 2013 das Aufbaustudium ‚Filmmusik und Sounddesign‘. Im Februar 2013 erhielt sie eine Einladung, an der Filmmusik Masterclass ‚Berlinale Talents 2013‘ teilzunehmen.

Sie schrieb zahlreiche Musiktitel im Bereich Werbung und TV (u.a. für ARD, ZDF, Arte, Pro7 und SWR) und komponierte Musik für preisgekrönte kurz- und mittellange Filme wie z.B. ‚Sunny‘ (deutscher Kurzfilmpreis 2013) und ‚Zwei Mütter‘ (Berlinale Perspektive deutsches Kino: DFJW – Preis Dialogue en Perspective2013).  Sie komponierte die Musik zum Drama ’24Wochen‘, das als einziger deutscher Beitrag für den Wettbewerb der 66.Berlinale ausgewählt wurde. Außerdem schrieb sie Filmmusik für das Krimiformat ‚Tatort‘ und zuletzt für die 1. Staffel der neuen Kinderserie ‚Petzi‘. Aktuell arbeitet sie an der internationalen Koproduktion “Kiss me before it blows up”.


Jasmin Reuter was born in 1981 in a town by Würzburg. Early on she developed a passion for music, film and photography. From 2002-2007 she studied ‚audiovisual media‘ at the University of Applied Science in Stuttgart, where she began to write her first film scores. After her diploma she won a Fulbright scholarship to attend the film scoring program at renowned Berklee College of Music in Boston, which she attended from 2008-2009. She went back to Germany in 2010 to additionally complete the postgraduate film scoring course ‚Film music and Sounddesign‘ at Filmakademie Baden-Württemberg. In February 2013 she was invited to attend the film scoring masterclass ‚Berlinale Talents 2013‘.

She wrote music for commercials and TV-openers (e.g. for ARD, ZDF, Arte, Pro7 and SWR) and composed for award-winning movies like ‚Sunny‘ (Germany short film award 2013) and ‚Two Mothers‘ (Berlinale Perspektive German Cinema: DFJW – Preis Dialogue en Perspective2013). She composed the score for the movie ’24weeks‘, which was selected for the competition of the 66th Berlin International Film Festival as the sole German entry. In addition to that she wrote music for Germany’s biggest crime TV show ‚Tatort‘ and just finished her work on the first season of the new children’s TV series ‚Petzi‘. Right now she is working on the international coproduction movie “Kiss me before it blows up”.


Music to listen:

Jürgen Spiegel was born in 1972 in Bremen and studied at the age of 17 as a young student at the Music Academy in Bremen first drums (1989-92) and then (1992-93) jazz as a student of Charly Antolini. From 1993-98 he studied in The Netherlands at the Hanzehogeschool, the conservatory in Groningen. In 1997, Spiegel completed the contact study program „Popular Music“ at the University of Music and Performing Arts in Hamburg. A year later, he received a scholarship from the VSB Fund Foundation and studied at the Manhattan School of Music, New York.

With the Tingvall Trio he has received three ECHO Jazz, 6 Jazz Awards in Gold and the Hamburg Music Award HANS for Best Production of the Year 2011.

Spiegel played as a drummer with bands of various genres such as Kurt Elling, Yari Carissi, Dominic Miller, Nneka, Michael Kiske (Helloween) and the NDR Big Band on almost all major German (Hurricane, Rock am Ring) and numerous European festivals.

 In 2008 he composed and produced the first German theme music for the Broadcaster Aljazeera and thereby gained attention in the United Emirates. 2009 was the production of the CD Dubai Nights (Virgin) with compositions of Arab Bedouins. In addition, Jürgen Spiegel works successfully as a producer and composer.

In terms of creating compositions for films his talent to emphasize narrative and hidden structures is one of a kind to benefit each film with a marvelous drum oriented soundtrack. For more info just feel free to get in touch with us.

Listen to Jürgen Spiegel

Artist Page

Working during the day as a Composer & Producer, during the night as a DJ, and the next day as an band frontman, Matthieu Brismontier likes to wear many hats. But most of all, the franco-german composer likes to cross borders…between the electronic and the organic worlds, the german heritage of electronic dance culture and the french realm of psychedelic pop, the soaring cosmic synthesizer leads and the more earthly rhythm grooves, without forgetting to mention his numerous travels around the world.
After growing up in St Brieuc (Brittany, France), where he learns the guitar & the piano at a young age, spending some time honing his musical skills in the USA, and studying in Angers, he settles in Paris, where he forms the Indie Dance Pop band Parlez-vous anglais ?, with whom he played many shows across Europe. A few years later, he moves to his current beloved city of Berlin, where he builds his production studio MOWD. His attention to detail, his love for groove, dynamism and energy, and his passion for creating unique soundscapes brought him to compose and produce music for many different clients such as ARTE, Warner, Universal, Kellogg’s, Lexus and Tracks & Fields…
Along with his DJ alias FRANZ MATTHEWS and his Psychedelic Pop duo LANGUAGES, he also released music on imprints such as Eskimo Recordings, Days of Being Wild, Rockets & Ponies and his own imprint HIFI/LOFI. Did we already say he likes to wear many hats ?
Listen to Mathieus music:
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Christopher Colaço and Philipp Schaeper know each other since they moved from their southern german hometowns to Berlin.  Beside that fact of a similarity both  studied Jazz piano/drums at the Berlin University of Arts. While doing this Colaço|Schaeper dived into the vibrant Jazz scene of the german metropole – playing and working together this helps building their enormous musical team spirit. But their proof of content as being a smart composer team was in 2013. As Christopher and Philipp had the opportunity to score their first movie (Oh Boy! – A coffee in Berlin) and therefore formed an old school sounding Jazz band..

After winning the German Academy Award for best original score of: „OH BOY“ , they continued to develop their collaborative project as a duo writing and scoring music. By the end of last year Colaço and Schaeper gather the classical musicians from the Mahler Chamber Orchestra and creates some marvelous atmospheric soundscapes and  piano pieces. The album will be released in Spring 2019.

listen to Colaço|Schaeper

Artist Website

Christian Meyer writes and designs modern soundtracks for film, television, advertising and dance theatre and has received important awards for his compositions: Best Film Score from the Association of German Film Critics, ADC, VDW, Die Klappe, New York Festival, Finalist Cannes Lions.

listen to Christians Music



[(c) Foto, Sandra Buschow_sanstories.com]

Heartfelt about finding an authentic tone for each film, I’m always on the hunt for the distinctive. With over fifteen years of experience in the film industry in Berlin and Brooklyn, including scoring for an Oscar-nominated film, I’m as enamored as ever with composing captivating soundscapes and catchy tunes.

My musical education is diverse and ranges from studying at the Hamburg State Music University & Juilliard (NYC) – my own bands – being part of Jim Jarmusch’s team – touring with Michael Gira & recording with the Swans – and my own continual experimentation with new ways of weaving found sounds into organic/electronic landscapes.

In 2016, my first full orchestral symphony, set to three short films, was performed live in Berlin.

listen to cassis b staudt!



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Driven by a mutual passion for exploring new sound textures with electronics and acoustic instruments, we are constantly in motion to develop a characteristic sound in our compositions.
With over 10 years of experience in the international film industry and Oscar-nominated composing, our music has been sustaining the stories of films such as Prisoners of the Sun, Rampage, Sicario, the Mercy and commercials such as BMW, Mediamarkt and Need for Speed.

I have always had a big imagination. When I played the piano as an eight year old I noticed that each note-interval had it’s own unique character. So instead of playing songs, I gave each person in my life their own unique interval that suited their character. Over the years I have transitioned from playing on my first keyboard to working with live orchestras, but in a way I am still doing the same thing.

– Stan Koch composer, orchestrator and producer

Sometimes the best way to come up with new ideas is to simply go outside and explore. There’s always a rhythmical pattern to discover when you listen to the sounds of the streets, the subway, the beach, the countryside and so on. It’s a method I have structurally been using to create something different with an unpredictable outcome, especially when I combine them with my guitars, vocals or analog synthesizers.

– Maarten Maximé Buning composer multi-instrumentalist and producer


listen to KochBuning

Composers Site

[(c) Foto, Hans Grunert]


Eike Hosenfeld began his studies at the Konrad Wolf Academy of Film and Television in 1996 and graduated as a sound engineer. Together with fellow student Christian Riegel and composer Moritz Denis, he then founded the Tonbüro as a joint studio. Since then, he has composed the music for documentaries, television and cinema films.

Moritz Denis, born 1977, is a Berlin-based film composer working in a collaborative team with Eike Hosenfeld since 2001. Among their more renowned projects are the documentary Projections of America, the Finnish movie Hulluna Saraan and the documentary Art War – as well as over one hundred German documentaries and feature films (e.g. Tatort – die fette Hoppe & Loewenzahn). For the work on Sonita, it was important to Denis to avoid clichés, leave space for the story and – most important – the girl’s music. He loves recording himself or his composer colleagues for their compositions and mixing the music on the big screen with his friends from Tonbuero. Denis plays the guitar and the trumpet.

Filmographie (Auswahl)


  • “Kennzeichen Kohl”, 2009, Deutschland, Kino, R.: Jean Boué
  • „Love and other troubles“, 2012, Finnland, Kino, R.: Samuli Valkana
  • “Tatort – Die Fette Hoppe”, 2013, Deutschland, ARD, R.: Franziska Meletzky
  • “Hördur – Zwischen den Welten”, 2015, Deutschland, Kino, R.: Ekrem Ergün
  • „Stadlandliebe“ – 2016, Deutschland, Kino, R.: Marco Kreuzpaintner
  • „Vorwärts Immer“ – 2017, Deutschland, Kino, R.: Franziska Meletzky
  • „Der Krieg und ich“ – 2019, Deutschland, ARD, R.: Div.
  • „Max und die wilde 7“ – 2020, Deutschland, Kino, R.: Winfried Oelsner


listen to Eikes und Moritzs music

IMDb – Eike Hosenfeld

IMDb – Moritz Denis

Artist Site


Located in: Berlin


Kindheit und Jugend in der Türkei, danach Studium der Islamwissenschaften und Vergleichenden Musikwissenschaften an der FU Berlin. Nach vielen Bandprojekten und Tourneen, erfolgreiche Arbeit als Studiomusiker, Produzent und als Komponist im Rahmen von Auftragskompositionen für Filme im Bereich Dokumentation und Fiction für Kino / TV.

Sprachen: englisch, türkisch, französisch, spanisch


Filmographie (Auswahl)


  • „Georg Baselitz“ (D. 2013) Kino / Regie Evelyn Schels
  • „Wenn Bäume Puppen tragen“ (D. 2012) Kino / Regie Ismail Sahin
  • „Method“ (Türkei 2012) Kino / Regie Ulas Inac
  • „Nano Now“ Dok. / Regie Ilse Biberti
  • „70°“ (D. 2012) Kino / Regie Lothar Berg
  • „Die Akte Pasolini“ Dok. / Regie Andreas Pichler
  • „Ivan Steiger“ Dok / Regie Evelyn Schels
  • „Unter Brüdern“ ( D.2013 )Kino Regie Marcel Wehn
  • „Wem gehört die Welt“ Dok / Regie Sabine Jainski
  • „Pola Kinski“ Dok / Regie Evelyn Schels
  • „Christiane zu Salm“ Dok / Regie Evelyn Schels
  • „Love Time Fools“ (D.2014) Kino Regie Dara Sepheri
  • “Body of Truth” (D 2020) Kino, Regie: Evelyn Schels

Artist Website




Bertram Denzel, geboren 1969 in Freiburg i.Br., aufgewachsen u.a. in Spanien und Frankreich, lebt seit 1988 als DJ und Musiker in Berlin. Neben zahlreichen Bandbeteiligungen komponiert er seit Mitte der 90er-Jahre Filmmusik. Gleich der erste Langfilm, Hendrik Handloegtens Debütfilm „Paul is Dead“, wird 2001 mit dem Adolf- Grimme-Preis geehrt, seitdem sind 6 Filme mit Musik aus seiner Feder für den Grimme- Preis nominiert worden. 

Mit der Musik zu „Alaska Johansson“ erfolgt eine Nominierung zum Rolf-Hans-Müller-Preis für Filmmusik 2015.

Filmographie (Auswahl)


  • Tatort: Die Ferien des Monsieur Murot, Regie: Grzegorz Muskala, Produktion: HR, 2020
  • Einsturz des Kölner Stadtarchivs, Doku, Regie: Ingolf Gritschneider, Wolfgang Minder, Produktion: WDR, 2019
  • Toulouse, Fernsehfilm, Regie: Michael Sturminger, Produktion: HR, 2018
  • Ich, Frauke Petry, Doku, Regie: Wolfgang Minder, Produktion: WDR, phoenix, 2018
  • Größer als im Fernsehen, Fernsehfilm, Regie: Christoph Schnee, Produktion: HR, arte, 2018
  • Tatort: Wendehammer, Regie: Markus Imboden, Produktion: HR, 2016
  • Mordkommission Istanbul: Im Zeichen des Taurus Teil 1+2, Regie: Bruno Grass, Produktion: Ziegler Film, Degeto, 2016
  • Tatort: Wer bin ich ? Regie: Bastian Günther, Produktion: HR, 2015
  • Alaska Johansson, Fernsehfilm, Regie: Achim von Borries, Produktion: HR. 2013
  • Sechzehneichen, Fernsehfilm, Regie: Hendrik Handloegten, Produktion: HR, 2012
  • Polizeiruf 110: Fieber, Regie: Hendrik Handloegten, Produktion: BR, die film GmbH, 2012
  • Tatort: Wie einst Lilly, Regie: Achim von Borries, Produktion: HR, 2011
  • Verhältnisse, Fernsehfilm, Regie: Stefan Kornatz, Produktion: HR, 2009
  • Tatort: Der tote Chinese, Regie: Hendrik Handloegten, Produktion: HR, 2008
  • Ein spätes Mädchen, Fernsehfilm, Regie: Hendrik Handloegten, Produktion: HR, 2007
  • Der letzte macht das Licht aus ! Kinofilm, Regie: Clemens Schönborn, Produktion: Kaminski.Stiehn.Film.GmbH, 2007


listen to Bertrams music


Artist Page



Gregor Schwellenbach crosses subversive conceptuality with the courage of catchy melody, plays with the listening habits of different worlds and mixes them into warm-hearted compositions with depth and character.

„I do play the piano, but I don’t really see myself as a pianist. Nor am I a particularly virtuoso pianist. My piano playing comes from the need to make music. I also play the piano more like a composer or an arranger who has a certain melody in mind and wants to realise it. What the pencil sketch is for a painter, the piano is for me. I create a sketch of the music I have in my head on the piano and can have it produced and recorded there.“ (taken from the interview in >Keyboards< of 6 January 2021. Complete interview (in German) 

listen to Gregors music

Artist Website

The Can Project (Co-Writing of CAN SUITE)